domingo, 26 de octubre de 2014

Olive grove aerial DVI image

Mosaic composed of 184 photographs taken at 100m with a modified NIR camera (Canon A490 ) using a red filter.

DVI image obtained with Photo Monitoring plugin:

lunes, 6 de octubre de 2014

NDVI with red filters

Here a basic analysis about red filters performance for getting NDVI images. I compared four red filters:

The spectral response is similar, but it is sharper with #106, #19 and #135, and between these three, #19 and #135 have higher values and are supposed to be more luminous and easier for using fast shutter speed at as needed for aerial platforms. 

Here some photos with the three finalist filters:

#19 red fire

#135 golden amber
#106 primary red

To the naked eye the #135 appears with a brighter blue color, promising.

The NDVI images for each photo are the following (the visible channel used is Red and the NIR channel is Blue.)


The #19 and #135 ndvi images are very similar and quite difficult to distinguish, but in the #106 there are lighter yellow colors and less presence of red is noticeable.

zoom comparative

Trying to get a more numerical value to base my decission I got the white balance coefficients used for each of the photos. With UfRaw for example you can get which were the camera coefficients used for the photo on each channel. The relation between Red and Blue channel coefficients could be used as an indicator of the goodness of the ndvi relative values. Doing that for each red filter and for each white balance used I got that the #135 golden amber gets the best relation with a custom white balance using a orange origami paper (and better with if it is white balanced in the shadow than in the direct sun light).

These NDVI values are not absolute of course, with just one camera and without knowing the sensor spectral response at NIR wavelenghts we just can get relative NDVI valuers, but using #135 filter and the proposed white balances a better interpretable NDVI photos can be achieved.